SD0162 Baglama I (Turkish Instrument)

3 ECTS - 2-0 Duration (T+A)- 0. Semester- 2 National Credit

Information

Unit
Code SD0162
Name Baglama I (Turkish Instrument)
Term 2019-2020 Academic Year
Term Fall and Spring
Duration (T+A) 2-0 (T-A) (17 Week)
ECTS 3 ECTS
National Credit 2 National Credit
Teaching Language Türkçe
Level Lisans Dersi
Label NFE Non-Field Elective Courses (University) UCC University Common Course
Mode of study Yüz Yüze Öğretim
Catalog Information Coordinator ERSEN AKIŞ
Course Instructor ERSEN AKIŞ (Güz) (A Group) (Ins. in Charge)
ERSEN AKIŞ (Güz) (B Group) (Ins. in Charge)
ERSEN AKIŞ (Güz) (C Group) (Ins. in Charge)
ERSEN AKIŞ (Güz) (D Group) (Ins. in Charge)
ERSEN AKIŞ (Güz) (E Group) (Ins. in Charge)
ERSEN AKIŞ (Bahar) (A Group) (Ins. in Charge)
ERSEN AKIŞ (Bahar) (B Group) (Ins. in Charge)
ERSEN AKIŞ (Bahar) (C Group) (Ins. in Charge)
ERSEN AKIŞ (Bahar) (D Group) (Ins. in Charge)
ERSEN AKIŞ (Bahar) (E Group) (Ins. in Charge)


Course Goal / Objective

The concept and practice of the basic ways and abilites on playing baglama.

Course Content

Introdution of the physical parts of the baglama and studying on the position of hold fitting inger and plectrum.

Course Precondition

Resources

Notes



Course Learning Outcomes

Order Course Learning Outcomes
LO01 He indenifies the basic concepts about note.Shows the places of the note valeur. on porte and baglama.He shows how to place while playing baglama.Shows the true hold of baglama.He gives examples about placing hands in a corret way.
LO02 He gives examples about how placing hands in a correct way on baglama.He shows the correct position of holding plectrum ( tezene )
LO03 Read and play examples of unity and binary notes on blank lines on porte and baglama in accordance with the directions of the tessellation and note strokes.
LO04 Relations between right and left hand holding positions and modes of application in contexs.Read and play examples of quatrin notes on blank lines on portes the tessellation and note strokes.
LO05 Practice quatraiin notes and exercises on porte and context.Examples of pressing the first finger in position towards the saund field. Studies and exercises related to the use of the first finger are applicable in context.
LO06 Studies and exercises related to the use of the first finger are applicable in context.Learn how to place he second finger on the porte and the baglama and how to print the position on the baglama in the correct position.
LO07 Studies and exercises related to the use of the second finger are applicable in context.Examples of printing the third finger on the position and position of the sound on the baglama.
LO08 Mid-term
LO09 Use the first and third fingers together on the tie.Practice exercises and studies that are that are used jointly whith both unity and quatrain on portraits and baglama.Plays simple melodies according to the level.
LO10 Practice eight-note notes and exercises on baglama and porte. Learn how to place the fourth finger on the porte and the baglama and how to print the position on the baglama in the correct position.Plays simple melodiesaccording to the evel.
LO11 Uses the first,second and fourth finger at the same time on the baglama.Practices on baglama and porte on union duality and quadrature and octal notes combined with exercises and studies.
LO12 Apply different finger positions on baglama.
LO13 Recognize voice changer sing on the porte.
LO14 Apply different finger positions on the baglama
LO15 Final exam


Week Plan

Week Topic Preparation Methods
1 Basic concepts about note. İntroduction of the note values on porte and the baglama
2 Right and left hand holding positions.Holding pectrum position. The usage of left and right hands in a correct position.Absorbing the correct plectrum position.
3 Usage of plectrum on gree cord usage of brvis and blanche Usage of plectrum on the free cords.Learning the brevis and blanche notes on the porte and baglama.
4 Usage of plectrum on free cord The usage of quarter note. Usage of plectrum on the free cords.Learning the crotchet notes on the porte and baglama.
5 The usage of first finger. Applying the studies and exercises about the usage of first finger on the bağlama
6 The usage of second finger. Applying the studies and exercises about the usage of second finger on the baglama
7 The usage of third finger. Applying the studies and exercises about the usage of third finger on the baglama
8 Mid-Term Exam
9 The usage of first and third finger together ın baglama Exercises and studies of the usage of the brevis,blanche and crotchet notes together on the baglama and porte.
10 The usage of eighth note and ourt finger. Exercises and studies of the usage of the brevis,blanche crotchet and croches notes together on the baglama and porte.
11 The usage of first,second and fourth fingers together on baglama. Exercises and studies of the usage of the brevis,blanche crotchet and croches notes together on the baglama and porte.
12 Different finger position studies on baglama Studies on the simple melodies
13 The usage of voice changer sings on porte Succeds in voice changing sings and sound pitches on the baglama.Studies on the simple melodies.
14 Different finger position studies on baglama Studies on the simple melodies
15 Final exam
16 Term Exams
17 Term Exams


Assessment (Exam) Methods and Criteria

Assessment Type Midterm / Year Impact End of Term / End of Year Impact
1. Midterm Exam 100 40
General Assessment
Midterm / Year Total 100 40
1. Final Exam - 60
Grand Total - 100


Student Workload - ECTS

Works Number Time (Hour) Workload (Hour)
Course Related Works
Class Time (Exam weeks are excluded) 14 2 28
Out of Class Study (Preliminary Work, Practice) 14 2 28
Assesment Related Works
Homeworks, Projects, Others 0 0 0
Mid-term Exams (Written, Oral, etc.) 1 8 8
Final Exam 1 16 16
Total Workload (Hour) 80
Total Workload / 25 (h) 3,20
ECTS 3 ECTS

Update Time: 16.11.2022 12:46