AIS425 Cinematography

5 ECTS - 3-0 Duration (T+A)- 7. Semester- 3 National Credit

Information

Unit FACULTY OF COMMUNICATION
RADIO, TELEVISION AND CINEMA PR.
Code AIS425
Name Cinematography
Term 2020-2021 Academic Year
Semester 7. Semester
Duration (T+A) 3-0 (T-A) (17 Week)
ECTS 5 ECTS
National Credit 3 National Credit
Teaching Language Türkçe
Level Lisans Dersi
Type Normal
Label E Elective
Mode of study Uzaktan Öğretim
Catalog Information Coordinator Dr. Öğr. Üyesi Süleyman Kıvanç TÜRKGELDİ
Course Instructor Dr. Öğr. Üyesi Süleyman Kıvanç TÜRKGELDİ (Güz) (A Group) (Ins. in Charge)


Course Goal / Objective

In the cinematography course, which is the basis of the cinema classes, the student is able to distinguish the main components of cinematography, to learn the basic concepts and to explain how the meaning is created in cinema.

Course Content

To be able to design and interpret all kinds of audiovisual content (short films, documentaries, photographs, films) based on knowledge and aesthetic understanding

Course Precondition

Resources

Notes



Course Learning Outcomes

Order Course Learning Outcomes
LO01 Define cinematographic concepts such as shooting, scene and sequence.
LO02 Discusses how the formal features of films contribute to creating meaning
LO03 Recognize open and closed forms.
LO04 Recognize shooting scales and camera movements.
LO05 Evaluate the differences between classical and contemporary fiction
LO06 Evaluates how color, sound and lighting create meaning in cinema.


Relation with Program Learning Outcome

Order Type Program Learning Outcomes Level
PLO01 - Graduates gain critical thinking and interpretation skills in the field of radio, television and cinema 4
PLO02 - Graduates have the knowledge of thinking in different disciplines of social sciences and adapting them to their own specialization through applications and doing research when needed 3
PLO03 - Graduates have knowledge about different areas of communication at the entry level. 4
PLO04 - Graduates have knowledge of art, aesthetics, legal framework and culture in general and understand connections among them 4
PLO05 - Graduates produce audio-visual content with the academic formation gained and can control the production stages 5
PLO06 - Graduates gain knowledge of program production and management for broadcasting in terrestrial and web environments 1
PLO07 - Graduates develop the ability to express his/her feelings and thoughts by creating “written, oral and visual texts” 3
PLO08 - Graduates analyze and interpret social problems at national and international level 2
PLO09 - Graduates gain skills in writing various forms of scripts and producing programs for cinema, television and radio. 2
PLO10 - Graduates gain the ability to use communication technologies, to follow technological developments and to improve himself/herself accordingly 5
PLO11 - Graduates gain the ability to plan and organize all kinds of content for audio-visual activities from design to editing and disseminating. 5
PLO12 - Graduates can carry out interdisciplinary work processes the activities expected from him as a team member 5
PLO13 - Graduates can perform effective work individually and as a team member in the production process and provide coordination the field of radio, television and cinema 4
PLO14 - Graduates can prepare audio-visual necessities, decors and stages of studio area. 4
PLO15 - Graduates have know-how and skills about production and broadcast technologies 5
PLO16 - Graduates have knowledge of the information and communication technologies, and the computer softwares required by the field 5
PLO17 - Graduates are able to analyze a film, a script or a television program technically, aesthetically and ideologically. 4
PLO18 - Graduates can express written or visual ideas in a creative way by transforming them into a radio, television or cinema project. 4
PLO19 - Graduates take responsibility for planning, designing and executing pre-production processes of radio, television and cinema. 4
PLO20 - Graduates have the skills and competence to communicate effectively against discrimination and free from prejudices 4


Week Plan

Week Topic Preparation Methods
1 Introduction: Introduction, Method
2 Meaning Creation in Cinema. In-frame editing. Shooting, scene, sequence: North by Northwest (Alfred Hitchcock, 1959) Basic Elements of Cinematography
3 Dramatic structure of classical narrative, viewing angles, shooting scales, camera movements: Casablanca (Michael Curtiz, 1942) Basic Elements of Cinematography
4 Closed / open form. Lenses: Duel / Duel (Steven Spielberg, 1971) Basic Elements of Cinematography
5 Depth of field: Citizen Kane / Citizen Kane (Orson Welles, 1941) Basic Elements of Cinematography
6 Depth of field: Citizen Kane / Citizen Kane (Orson Welles, 1941) Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E. S. Onat, Ankara: De Ki, Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E.S.Onat, Ankara: De Ki
7 Light and lighting: Visions of Light Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E. S. Onat, Ankara: De Ki, Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E.S.Onat, Ankara: De Ki
8 Mid-Term Exam
9 Light and lighting: Visions of Light Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E. S. Onat, Ankara: De Ki, Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E.S.Onat, Ankara: De Ki
10 Light and lighting: Visions of Light Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E. S. Onat, Ankara: De Ki, Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E.S.Onat, Ankara: De Ki
11 Editing 1- Potemkin battleship (Sergey Eisenstein, 1925) Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E. S. Onat, Ankara: De Ki, Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E.S.Onat, Ankara: De Ki
12 Editing 1- Potemkin battleship (Sergey Eisenstein, 1925) Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E. S. Onat, Ankara: De Ki, Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E.S.Onat, Ankara: De Ki
13 Editing 1- Potemkin battleship (Sergey Eisenstein, 1925) Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E. S. Onat, Ankara: De Ki, Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E.S.Onat, Ankara: De Ki
14 Fiction 2- Camera Man (Vertov, 1929) Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E. S. Onat, Ankara: De Ki, Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E.S.Onat, Ankara: De Ki
15 Fiction 2- Camera Man (Vertov, 1929) Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E. S. Onat, Ankara: De Ki, Bordwell, David and Kristin Thompson (2009). Film Art. Translated by: E. Yılmaz, E.S.Onat, Ankara: De Ki
16 Term Exams
17 Term Exams


Assessment (Exam) Methods and Criteria

Assessment Type Midterm / Year Impact End of Term / End of Year Impact
1. Midterm Exam 100 40
General Assessment
Midterm / Year Total 100 40
1. Final Exam - 60
Grand Total - 100


Student Workload - ECTS

Works Number Time (Hour) Workload (Hour)
Course Related Works
Class Time (Exam weeks are excluded) 14 3 42
Out of Class Study (Preliminary Work, Practice) 14 3 42
Assesment Related Works
Homeworks, Projects, Others 2 6 12
Mid-term Exams (Written, Oral, etc.) 1 12 12
Final Exam 1 18 18
Total Workload (Hour) 126
Total Workload / 25 (h) 5,04
ECTS 5 ECTS

Update Time: 09.10.2024 03:37