RTS716 New Cinema Movements

Information

Course Goal / Objective

The aim of the course is to develop a holistic and critical approach to movements in cinema. In the course, after the traditional cinema movements, new cinema movements that are effective in the 21st century are discussed. The political, economic and cultural factors in the countries where these movements emerged are analyzed in the context of the film industry.

Course Content

Since the end of the 1990s and the beginning of the 2000s, new conceptions of cinema emerged in different countries; factors such as digitalization, debates on genre cinema and approaches to sexual identity lead to the emergence of many movements. The new generation of directors in countries such as Mexico, Romania and Greece, New Queer Cinema, minimal experiments in American cinema, efforts to bend and twist the dominant genres in cinema and cinema movements integrated into internet technologies are discussed through films. Students make a presentation on the movements and produce a scientific text at the end of the semester.

Course Precondition

No prerequisties

Resources

Badley, L., Palmer, R.B., Schneider, J. (2016). Dünya Sinemasında Akımlar (Çev. S. Yılmaz). İstanbul: Doruk. Clarke, J. (2011). Movie Movements: Films that Changed the World of Cinema. Harpenden: Oldcastle.

Notes

Ahu Antmen 20. Yüzyıl Batı Sanatında Akımlar Sel Yayınları, 65-78 Pınar Özgökbel-Alman Sineması ve Berlin Okulu Terri Ginsberg, Andrea Mensch-A Companion to German Cinema, Wiley Blackwell Marco Abel-The Counter-Cinema of the Berlin School, Camden House Ulusay, N. (2011). Yeni queer sinema: Öncesi ve sonrası. Fe Dergi, 3(1), 1-15. Küçük, S. (2018). Yeni Queer Sineması Yeniden: Deneysellik, Revizyonizm, Historiyografi, KaosQueer+, 26-36 Richards, A. (2011). Asya Korku Sineması (Çev. O. Gayretli). İstanbul: Kalkedon. Erus, Z., & Gürkan, H. (2013). Toplumsal Cinsiyet ve Sinemaya Yansıması: Yeniden Çekimler Aracılığıyla Japon Ve Amerikan Sinemalarında Kadının Temsiline Bir Bakış. Selçuk İletişim, 7(3), 206-217 Cantaş, A., & Koluaçık, İ. (2023). Kötülüğün sineması, yıkıcı bir sinema: Yeni aşırıcılık. ARTS: Artuklu Sanat Ve Beşeri Bilimler Dergisi(10), 85-109. Kalender, A. B. (2021). Yeni Aşırılığın Auteur Yönetmeni Bir L’enfant Terrible Olarak Gaspar Noé. SineFilozofi, 6(11), 908-927. Johnston, Nessa. "Theorizing “Bad” Sound: What Puts the “Mumble” into Mumblecore?" The Velvet Light Trap, vol. 74 no. 1, 2014, p. 67-79. Project MUSE Filippo, A. S. (2011). A cinema of recession: micro-budgeting, micro-drama, and the "mumblecore" movement. CineAction, (85), 2+. Murphy, JJ. (2016). Looking through a Rearview Mirror Mumblecore as Past Tense. A Companion to American Indie Film (Der. Geoff King). Tüysüz, D. (2021). Mağduriyetin Sineması: Yunan Yeni Dalgası Üzerine Bir İnceleme. Selçuk İletişim, 14(2), 805-831. Erdoğan Tuğran, F. (2021). Performance Of Affects And Imitation Of Emotions: A Study On Babis Makridis’s Pity Film. SineFilozofi, 6(11), 442-454. Aytekin, M. (2020). Politik Kamera: Rumen Yeni Dalga Sinemasında Bakışın İdeolojikleşmesi ve Kadın Bedeninin Temsili. Kadın Çalışmaları Ve Toplumsal Cinsiyet Dergisi, 3(1), 30-60. Aytekin, M. (2022). Çavuşesku’nun Hayaletiyle Hesaplaşmak veya Romanya Yeni Dalga Sinemasında Bir Hatırlama Girişimi: Amintiri din Epoca de Aur. SineFilozofi, 7(Özel Sayı (4), 300-330. Stojanova, C. & Duma, D. (2019). The New Romanian Cinema. Edinburgh University Press. Martin, Michael T., Bruce Paddington, and Francisco Athié. “Mexican Cinema and the ‘Generation of the 1990s’ Filmmakers: A Conversation with Francisco Athié.” Framework: The Journal of Cinema and Media 45, no. 1 (2004): 115–28. Menne, J. (2007). A Mexican “Nouvelle Vague”: The Logic of New Waves under Globalization. Cinema Journal, 47(1), 70–92. Baer, H., & Long, R. (2004). Transnational Cinema and the Mexican State in Alfonso Cuarón’s “Y tu mamá también.” South Central Review, 21(3), 150–168. Coşkun, N. (2001). Yeni Arjantin Sineması. Yeni İnsan Yeni Sinema, 11. Ebert, R. (Haziran 8, 2010). The Remodernist Film Manifesto. https://www.rogerebert.com/roger-ebert/the-remodernist-film-manifesto. MacKenzie, S. (2014). Film Manifestos and Global Cinema Cultures: A Critical Anthology (1st ed.). University of California Press. Totaro, D. (2007). Film on the Internet: Cinema on the Electronic Highway. Offscreen, 11(1). MacKenzie, S. (2014). Film Manifestos and Global Cinema Cultures: A Critical Anthology (1st ed.). University of California Press. Brody, R. (2013). A Few Thoughts on Vulgar Auteurism. https://www.newyorker.com/culture/richard-brody/a-few-thoughts-on-vulgar-auteurism Cartwright, E. (2021). Obsessed with the image: Vulgar auteurism and post-cinematic affect in the late films of Tony Scott. Yayınlanmamış Yüksek Lisans Tezi, Dodge College of Film and Media Arts.

Course Learning Outcomes

Relation with Program Learning Outcome

Week Plan

Student Workload - ECTS