TÜRKÇE
ENGLISH
Information
| Code | TIM401 |
| Name | Acting IV |
| Term | 2023-2024 Academic Year |
| Semester | 7. Semester |
| Duration (T+A) | 5-5 (T-A) (32 Week) |
| ECTS | 11 ECTS |
| National Credit | 7 National Credit |
| Teaching Language | Türkçe |
| Level | Lisans Dersi |
| Type | Konservatuar - Esas Meslek |
| Label | C Compulsory |
| Mode of study | Yüz Yüze Öğretim |
| Catalog Information Coordinator | Öğr. Gör. İsmail DİKİLİTAŞ |
| Course Instructor |
Öğr. Gör. MUZAFFER HAMİT KIRIKKALP
(A Group)
(Ins. in Charge)
|
Course Goal / Objective
The aim of the course is to help students (candidate actors), in the hands of the director as a creative subject, take place in a play prepared comprehensively (including costumes, makeup, decor, music, lighting, effects, etc.) that is nearest to the professional discipline and stage conditions, create a character with the Obraz thoguht system with the knowledge acquired in the subsidiary profession courses and with the habits and knowledge that an actor should have.
Course Content
Students now work on giving a perfect and complete performance for which they have been studying for three years, setting up the entire play in conditions that are most near-to real life theatre conditions.
Course Precondition
TIM301 Acting III
Resources
The text of the selected Graduation Play and documents about the author.
Notes
Stanislavskiy, Konstantin S. Creating a Role,
Course Learning Outcomes
| Order | Course Learning Outcomes |
|---|---|
| LO01 | Knows and applies dramaturgy material (text of the play) using the three-circle (the method of deductive analysis) principle within the method of analysis with action together. |
| LO02 | Professionally understands and applies the discipline and the method of creating a character, (knows and believes the character´s and his own way of thinking, and living space). |
| LO03 | Knows and applies the role he will play, the suggested conditions of the text and the character, and the metamorphosis technique in a professional manner. |
| LO04 | Performs the caharacter creating the partition of the artistic interpretation of the role within the framework of the director´s comments not deviating from the superior goal. |
| LO05 | Performs the role he will play blending the analyzed knowledge, observation and data with the Obraz thought approach through his character. |
| LO06 | Performs his character taking part in a full range of play (including costumes, makeup, decor, music, lighting, effects,) prepared closest to the professional discipline and stage conditions. |
| LO07 | Is able to evaluate and develop the character while the role is being performed on stage. |
| LO08 | Is able to convey the superior aim of the play to the audience establishing an actor-audience relationship through the character he creates. |
Relation with Program Learning Outcome
| Order | Type | Program Learning Outcomes | Level |
|---|---|---|---|
| PLO01 | Bilgi - Kuramsal, Olgusal | Students comprehensively search for the national and international Theatre - Acting literature, techniques and methods, synthesize the knowledge they acquired considering the requirements of the age and gain a critical point of view. | 5 |
| PLO02 | Bilgi - Kuramsal, Olgusal | The Art of Acting is supported with methods, theories, history, the techniques of using voice and body, behavioral psychology, and aesthetics and art theories. He has the knowledge to comprehend his art and transfer it to the future along with his past. | 4 |
| PLO03 | Bilgi - Kuramsal, Olgusal | This program provides with the ways of finding the necessary documents, tools, resources, and the archive related to the art of acting. | |
| PLO04 | Bilgi - Kuramsal, Olgusal | By acquiring the basic techniques and professional habits of the art of acting, having sufficient knowledge in terms of stage technology, comprehends how to express the artistic expression images of the play. | |
| PLO05 | Bilgi - Kuramsal, Olgusal | Gains the ability to present information about the field of Theatre-Acting Art to different audiences of the society. | |
| PLO06 | Bilgi - Kuramsal, Olgusal | Students gain awareness of being an artist who is aware of the responsibility to themselves, their own country and to the humanity. | 4 |
| PLO07 | Bilgi - Kuramsal, Olgusal | Students will have the ability to search, discover, create alternative solutions, reach information, think critically and engage in productive discussions for personal and professional growth. | 5 |
| PLO08 | Beceriler - Bilişsel, Uygulamalı | Taking the art of Theatre-Acting into consideration, students comprehend the improvement and transformation period of the art from past to the future, and adapt it according to the requirements of the age. | 3 |
| PLO09 | Beceriler - Bilişsel, Uygulamalı | By developing his coordination skills, he gains the ability to use his own body as an instrument that has recognized and analyzed his world of emotions and thoughts and has a natural mechanism on the stage. | |
| PLO10 | Beceriler - Bilişsel, Uygulamalı | In addition to acting techniques, he knows and applies the right ways of using the body on stage with movement, dance, body plastic and fencing disciplines. | |
| PLO11 | Beceriler - Bilişsel, Uygulamalı | This programme teaches the ways of using voice correctly on stage supporting this with the voice and speech techniques, singing, solfege and ear training. | |
| PLO12 | Beceriler - Bilişsel, Uygulamalı | Gains the ability to interpret universal values and reflect imaginatively with the knowledge gained in his field. | |
| PLO13 | Beceriler - Bilişsel, Uygulamalı | Performs his character taking part in a full range of play (including costumes, makeup, decor, music, lighting, effects,) prepared closest to the professional discipline and stage conditions. | 5 |
| PLO14 | Beceriler - Bilişsel, Uygulamalı | He gains the awareness of having artistic and professional ethics and discipline along with his professional acting qualifications and applies them in rehearsal, representation and all works on stage and set. | |
| PLO15 | Yetkinlikler - Bağımsız Çalışabilme ve Sorumluluk Alabilme Yetkinliği | As an artist, students improve themselves continually, and combine the knowledge and skills appropriate for the rules of professional ethics with the other fields of art and make correlations between them. | 4 |
| PLO16 | Yetkinlikler - Öğrenme Yetkinliği | In addition to his professional development, he constantly improves himself in scientific, social, cultural and sports fields for his personal development. | |
| PLO17 | Yetkinlikler - İletişim ve Sosyal Yetkinlik | Students gain communication and social competence skills as a natural part of the art of theater - acting. | 4 |
| PLO18 | Yetkinlikler - Alana Özgü Yetkinlik | With the help of techniques and methods of acting, this programme teaches the ways of expressing the emotions and thoughts of the character to play on stage. | 5 |
| PLO19 | Yetkinlikler - Alana Özgü Yetkinlik | Considering the art of Theatre-Acting, students learn a social and aesthetic point of view and can apply this on performing arts, radio, television and cinema. | 5 |
| PLO20 | Yetkinlikler - Alana Özgü Yetkinlik | It shows and provides the ways to have the competence to use Turkish correctly, beautifully and effectively as an example for the society. |
Week Plan
| Week | Topic | Preparation | Methods |
|---|---|---|---|
| 1 | Selection of the play that will be staged and its discussion and analysis within the basis of great circle (eligibility for the present). | Assignment 1: Preparing a file that includes the research of the selected play within the basis of three-circle principle and the results. | |
| 2 | *Presentation of Assignment 1 and Study | Research - Analysis | |
| 3 | Distribution of roles and Discussion on the characters of the play | *Assignment 2: Preparing research files of the characters that will be played within the three circle principle. | |
| 4 | Reading rehearsals and analysis on the medium-circle. | " Study on the role - book | |
| 5 | *Report of Assignment 2 and discussion on the minor circle. | *Assignment 3: Surveying of the character´s of the role and practical preparation of the logical purpose and action system of the character with the method of analysis with action. | |
| 6 | Reading rehearsals and analysis of the behavior of the characters within the suggested conditions . | Work on the role - book | |
| 7 | *Report of Assignment 3 and preparation of the logical purpose and action system of the character with the method of analysis with action. | Study on the role - book | |
| 8 | The full range reading rehearsals of the dramatic artifact (including all assignments given above) | * Homework 4: The Role-book preparation and adoption of the text. Continuation of observations and studies on the character. | |
| 9 | Setting up the first curtain on the stage in draft decor. | Individual study | |
| 10 | Rehearsal of the first act in the draft decor. | Individual study | |
| 11 | *Report of Assignment 2 . The first draft rehearsal of the first act. | Individual study | |
| 12 | Setting up the second act on the stage in the draft decor. | Individual study | |
| 13 | Setting up the second act on the stage in the draft decor | Individual study | |
| 14 | The first rehearsal of the second act. | Individual study | |
| 15 | Semester analysis and general revision. | Individual study | |
| 16 | Mid-term Exam | Draft Screening of Act One | |
| 17 | The draft flow of the first and second act. | Individual study | |
| 18 | The establishment of real decor of the play. The establishment of Light order and adaptation rehearsals of the music -effect. | Individual study | |
| 19 | Flow rehearsals.-1 | Individual study | |
| 20 | Flow rehearsals.-2 | Individual study | |
| 21 | Flow rehearsals.-3 | Individual study | |
| 22 | Flow rehearsals.-4 | Individual study | |
| 23 | General rehearsal. | * Assignment 5: A file that shows comprehensive information about the author of the play the student performs, a comprehensive socio-politic and socio-psychological period analysis of the work, and professional analysis within the basis of four-year experiences of the character he has created. | |
| 24 | The premiere of the studied play. | Individual study | |
| 25 | Analysis of premiere, determination of the mistakes and putting the play on stage.-1 | Individual study | |
| 26 | Analysis of premiere, determination of the mistakes and putting the play on stage.-2 | Individual study | |
| 27 | Analysis of premiere, determination of the mistakes and putting the play on stage.-3 | Individual study | |
| 28 | Analysis of premiere, determination of the mistakes and putting the play on stage.-4 | Individual study | |
| 29 | Analysis of premiere, determination of the mistakes and putting the play on stage.-5 | Individual study | |
| 30 | Analysis of premiere, determination of the mistakes and putting the play on stage.-6 | Individual study | |
| 31 | Evaluation of all stagings of the play.-7 | Individual study | |
| 32 | Final. Report of Assignment 5* and assertion. | Individual study |
Student Workload - ECTS
| Works | Number | Time (Hour) | Workload (Hour) |
|---|---|---|---|
| Course Related Works | |||
| Class Time (Exam weeks are excluded) | 28 | 10 | 280 |
| Out of Class Study (Preliminary Work, Practice) | 28 | 0 | 0 |
| Assesment Related Works | |||
| Homeworks, Projects, Others | 0 | 0 | 0 |
| Mid-term Exams (Written, Oral, etc.) | 4 | 1 | 4 |
| Final Exam | 1 | 2 | 2 |
| Total Workload (Hour) | 286 | ||
| Total Workload / 25 (h) | 11,44 | ||
| ECTS | 11 ECTS | ||