RTS723 New Cinema History

Information

Course Goal / Objective

The aim of this course is to look at the past -again- through cinema spaces, cinema memories, the act of going to the movies and the experience of watching them, based on the New Cinema History approach. The New Cinema History approach is a set of propositions and methods that became widespread in the 2000s in order to overcome the problems of mainstream film-centered historiography. This approach aims to discuss cinema through the experience of the audience in front of the movie screen. For this reason, the approach focuses on screening practices, cinema spaces, the experience of going to the cinema and the spectacle. Although there are similar approaches within traditional communication or sociology of cinema that prioritize the cinema industry, the New Cinema History uses theories, concepts, and methods from the humanities and social sciences and places the experience of going to the cinema at the center of both historical and contemporary studies. The New Cinema History approach proposes new sources such as screening programs, cinema newsletters, local archives, cinema magazines or literary texts for this research with different contexts; oral history and microhistory studies of screening venues and the experience of going to the cinema; and innovative approaches and methods such as mapping and routing, which are very different from traditional historiographical tools such as computational analysis, databases and GIS. Based on this approach, the aim of this course is to look at the history(s) of cinema by focusing on the spectacle, the experience of going to the cinema, cinema spaces, film screening and distribution activities and to develop theoretical and methodological discussions in this context.

Course Content

World cinema as a concept, local, national and international cinemas and movie theaters, periods and movements in cinema, film manifestos, film festivals and interactions, recent debates and new trends in world cinema.

Course Precondition

none

Resources

Allen, R. C. (1990). From exhibition to reception: reflections on the audience in film history. Screen, 31(4), 347-356. Biltereyst, D., Maltby, R., & Meers, P. (Eds.). (2013). Cinema, audiences and modernity: New perspectives on European cinema history. Routledge. Biltereyst, D., Maltby, R., & Meers, P. (Eds.). (2019). The Routledge companion to new cinema history. Routledge. Biltereyst, D., & Meers, P. (2011). The political economy of audiences. The handbook of political economy of communications, 415-435. Biltereyst, D., & Meers, P. (2016). New cinema history and the comparative mode: Reflections on comparing historical cinema cultures. Alphaville: Journal of Film and Screen Media, (11), 13-32. Biltereyst, D., & Meers, P. (2018). Film, cinema and reception studies. Reception studies and audiovisual translation, 21-41. Biltereyst, D., & Van de Vijver, L. (Eds.). (2020). Mapping Movie Magazines: Digitization, Periodicals and Cinema History. Springer Nature. Bowles, K. (2011). Lost horizon: the social history of the cinema audience. History Compass, 9(11), 854-863. Casetti, F. (2009). Filmic experience. Screen, 50(1), 56-66. Ercole, P., Treveri Gennari, D., & O’Rawe, C. (2017). Mapping cinema memories: Emotional geographies of cinemagoing in Rome in the 1950s. Memory Studies, 10(1), 63-77. Fuller-Seeley, K. (Ed.). (2008). Hollywood in the neighborhood: Historical case studies of local moviegoing. Univ of California Press. Gennari, D. T., O’Rawe, C., Hipkins, D., Dibeltulo, S., & Culhane, S. (2020). Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy. Bloomsbury Publishing USA. Gennari, D. T., & Sedgwick, J. (2015). Memories in context: the social and economic function of cinema in 1950s Rome. Film history: An international journal, 27(2), 76-104. Kuhn, A., Biltereyst, D., & Meers, P. (2017). Memories of cinemagoing and film experience: An introduction. Memory Studies, 10(1), 3-16. Maltby, R., Biltereyst, D., & Meers, P. (Eds.). (2011). Explorations in new cinema history: Approaches and case studies. John Wiley & Sons. Meers, P., Biltereyst, D., & Van De Vijver, L. (2010). Metropolitan vs rural cinemagoing in Flanders, 1925–75. Screen, 51(3), 272-280. Stokes, M., & Maltby, R. (Eds.). (2019). Hollywood spectatorship: Changing perceptions of cinema audiences. Bloomsbury Publishing. Stokes, M., & Maltby, R. (Eds.). (1999). American movie audiences: From the turn of the century to the early sound era. London: British Film Institute. Thissen, J., & Zimmermann, C. (2017). Cinema beyond the City. Bloomsbury Publishing. Treveri-Gennari, D., O’Rawe, C., & Hipkins, D. (2011). In Search of Italian Cinema Audiences in the 1940s and 1950s: Gender, genre and national identity. Participations: Journal of Audience & Reception Studies, 8(2), 539-553. Van de Vijver, L., & Biltereyst, D. (2013). Cinemagoing as a Conditional Part of Everyday Life: Memories of Cinemagoing in Ghent from the 1930s to the 1970s. Cultural Studies, 27(4), 561-584.

Notes

Bordwell, D. (2016). Hollywood’un Film Dili. Z. Atam vd. (çev.), İstanbul: Doruk Yayınları. Bordwell, D. ve K. Thompson. (2012). Film Sanatı. E. Yılmaz & E. S. Onat (çev.), Ankara: De Ki Basım Yayım. Büker, S. & Topçu, Y. G. (Ed.) (2010). Sinema: Tarih–Kuram–Eleştiri. İstanbul: Kırmızı Kedi Yayınevi. Elsaesser, T. & Hagener, M. (2014). Film Kuramı – Duyular Yoluyla Bir Giriş. B. Soner & B. Yıldırım (çev.), Ankara: Dipnot Yayınları. Frampton, D. (2013). Filmozofi – Sinemayı Yepyeni Bir Tarzda Anlamak İçin Manifesto. C. Soydemir (çev.), İstanbul: Metis Yayınları. Kracauer, S. (2015). Film Teorisi – Fiziksel Gerçekliğin Kurtuluşu. Ö. Çelik (çev.), İstanbul: Metis Yayınları. Mulvey, L. (2012). Saniyede 24 Kare Ölüm – Durağanlık ve Hareketli Görüntü. S. Dingiloğlu (çev.), İstanbul: Doruk Yayınları. Ryan, M. ve D. Kellner. (1997). Politik Kamera. E. Özsayar (çev.), İstanbul: Ayrıntı Yayınları. Stam, R. (2014). Sinema Teorisine Giriş. S. Salman & Ç. Asatekin (çev.), İstanbul: Ayrıntı Yayınları. Thomson, D. (2015). Filmler Hayatımızı Nasıl Etkiler? A. Ay (çev.), İstanbul: Alfa. Wayne, M. (2009). Politik Film: Üçüncü Sinema’nın Diyalektiği. E. Yılmaz. (çev.), İstanbul: Yordam Kitap. Wayne, M. (Ed.) (2011). Sinemayı Anlamak – Marksist Perspektifler. E. Yılmaz (çev.), Ankara: De Ki Basım Yayım.

Course Learning Outcomes

Relation with Program Learning Outcome

Week Plan

Student Workload - ECTS